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Статья написана 7 мая 2017 г. 18:04

Бібліографія:

1. Bhabha Н. Culture’s in Between // Multicultural States: Rethinking Difference

and Identity. / Ed. D. Bennett. L.: Routledge, 1998; Loomba A.

Colonialism/Postcolonialism. L.: Routledge, 1998. p. 105.

2. Brandenberger David. National Bolshevism: Stalinist Mass Culture and the

Formation of Modern Russian National Identity, 1931 — 1956. — Cambridge

(МЛ): I Iarvard University Press, 2002. 378 p.

3. Brandys К. A Warsaw Diary, 1978-1981. N.Y.: Vintage Books, 1985. — P. 128.

4. Greenberg Clement. Avant-Garde and Kitch. Art and Culture. Boston:

Beacon Press, 1 962. P. 29;

5. Greenberg C. Avant-Garde and Kitsch // Art Theory and Criticism: An

Anthology of Formalist, Avant-Garde, Contextual і st, and Postmodernist

Thought. Jefferson (N.C.), 1991.




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Annals of the Ukrainian Academy of Arts & Sciences in the US , 16, 41-42, 1984-85, р.327-340

In imaginative literature special honors are bestowed on writers who

attempt to foretell the future development and achievements of mankind.

Works built around such predictions are very popular: they are

published in numerous editions and translated into many languages.

Francis Godwin’s The Man in the Moone, for example— a narrative of

an imagined journey to m oon— was translated into four languages

and printed in twenty-five editions during the first thirty years after its

appearance.1 Those who are not impressed by such information should

bear in mind that this work was written by a bishop and first published

in 1638. In the beginning of the seventeenth century, Francis Godwin

envisioned not only the construction of a vehicle for a journey to the

moon, but also had this to say about subsequent technological developments:







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