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 | №11
Death and the Serpent сборник, 1985 год Описание: Выпуск 13. Сборник из 19 эссе о бессмертии в научной фантастике и фэнтези. | |
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 | №12
Erotic Universe: Sexuality and Fantastic Literature сборник, 1986 год Описание: Выпуск 18.
Volume explores the relationship between sex and the fantastic in science fiction and fantasy literature. More than a dozen scholars have contributed essays in which they discuss almost two hundred novels, short stories, tales, plays, poems, myths, and nearly one hundred authors — from Aldiss to Zelazny. Also includes an introductory overview and critical commentary on the literature and a comprehensive, contributor-compiled bibliography of primary works and scholarship on sexuality and related issues in fantastic literature.
Jacket design by Pat Parmelee. | |
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 | №13
Eros in the Mind's Eye: Sexuality and the Fantastic in Art and Film сборник, 1986 год Описание: Выпуск 21.
Collection offers a wide-ranging exploration of the erotic and the fantastic in painting, illustration, and film. It covers Western art of six centuries — from medieval woodcuts to contemporary poster art, and the cinema of six decades — from horror classics of the 1930s to slasher films, documenting the surprising variety of guises in which sexuality appears in fantasy art and cinema.
Jacket design by Pat Parmelee. | |
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 | John J. Pierce№15
Great Themes of Science Fiction: A Study in Imagination and Evolution авторская книга, 1987 год Описание: Выпуск 29.
Second volume in a four-volume (1987–1994) critical history of science fction under the general title, «A Study in Imagination and Evolution», adopting a conceptual framework, as opposed to a strictly chronological approach, and using parallels with biological evolution and dialectics to characterize the evolution of the genre as a whole. | |
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 | John J. Pierce№23
Odd Genre: A Study in Imagination and Evolution авторская книга, 1994 год Описание: Выпуск 60.
Last volume in a four-volume (1987–1994) critical history of science fction under the general title, «A Study in Imagination and Evolution», adopting a conceptual framework, as opposed to a strictly chronological approach, and using parallels with biological evolution and dialectics to characterize the evolution of the genre as a whole. | |
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