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John Barth «Final Fridays: Essays, Lectures, Tributes & Other Nonfiction, 1995—»


В магазинах:РЕКЛАМА 18+
Все издания:

Final Fridays: Essays, Lectures, Tributes & Other Nonfiction, 1995—

авторский сборник, первое издание

Язык издания: английский

Berkeley (CA): Counterpoint, 2012 г. (апрель)

ISBN: 978-1-58243-756-9

Тип обложки: твёрдая + суперобложка

Страниц: 336

Содержание:

  1. Acknowledgements, p. ix
  2. John Barth. Foreword: To the Hyphen, and Beyond, p. 1
  3. I. On Reading, Writing, and the State of the Art
    1. John Barth. Keats's Fears, Etc. (эссе), p. 7
    2. John Barth. The State of the Art (эссе), p. 11
    3. John Barth. Two More Forewords (статья), p. 33
      1. John Barth. LETTERS (статья)
      2. John Barth. Sabbatical (статья)
    4. John Barth. “In the Beginning”: The Big Bang, the Anthropic Principle, and the Jesus Paradox (эссе), p. 43
    5. John Barth. How It Was, Maybe: A Novelist Looks Back on Life in Early-Colonial Virginia and Maryland (эссе), p. 57
    6. John Barth. Further Questions? (эссе), p. 75
    7. John Barth. Incremental Perturbation (эссе), p. 93
    8. John Barth. “The Parallels!”: Italo Calvino and Jorge Luis Borges (эссе), p. 103
    9. John Barth. My Faulkner (эссе), p. 121
    10. John Barth. ¿Cien años de qué? (эссе), p. 127
    11. John Barth. A Window at the Pratt (эссе), p. 141
    12. John Barth. On Readings (эссе), p. 145
    13. John Barth. The End of the Word as We've Known It? (эссе), p. 153
    14. John Barth. “I've Lost My Place!” (эссе), p. 173
    15. John Barth. The Place of “Place” in Fiction (эссе), p. 177
    16. John Barth. Liberal Education: The Tragic View (эссе), p. 183
    17. John Barth. The Relevance of Irrelevance: Writing American (статья), p. 193
    18. John Barth. “All Trees Are Oak Trees...”: Introductions to Literature (эссе), p. 201
    19. John Barth. The Inkstained Thumb (эссе), p. 213
    20. John Barth. Future Imperfect (эссе), p. 217
    21. John Barth. I (эссе), p. 219
    22. John Barth. “In the Beginning, Once Upon a Time, It Was a Dark and Stormy Night...” (эссе), p. 221
    23. John Barth. The Morning After (эссе), p. 229
    24. John Barth. It Can Be Arranged: A Novelist Recalls His Jazz-Drumming Youth (эссе), p. 241
    25. John Barth. The End? On Writing No Further Fiction, Probably (эссе), p. 255
  4. II. Tributes and Memoria
    1. John Barth. Introduction to Not-Knowing: The Essays and Interviews of Donald Barthelme (эссе), p. 261
    2. John Barth. The Passion Artist (tribute to John Hawkes) (эссе), p. 265
    3. John Barth. The Accidental Mentor (homage to Leslie Fiedler) (эссе), p. 273
    4. John Barth. “As Sinuous and Tough as Ivy” (80th birthday salute to William H. Gass) (эссе), p. 277
    5. John Barth. The Last Introduction (memorial tribute to Joseph Heller) (эссе), p. 281
    6. John Barth. Remembering John Updike (эссе), p. 285
    7. John Barth. The Judge's Jokes: Souvenirs of My Father, the After-Banquet Speaker (эссе), p. 289
    8. John Barth. Eulogy for Jill (эссе), p. 299
  5. Notes, p. 303

Примечание:

Dimensions: 145x216 mm.



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